Cinema as a Trendsetter and Source of Historical Research in Fashion
DOI:
https://doi.org/10.5965/1982615x12252019010Keywords:
fashion, cinema, historyAbstract
Although it emerged in Europe in the late nineteenth century, it was in the United States that cinema had its greatest development and consolidated as a multidisciplinary production activity and its multiple styles and genres became the subject of several studies. The correct interpretation of the symbolic contents of the film project enables an understanding of the socioeconomic conditions of an era and then becomes an important source of historical research. This article proposes a classification of cinema costumes, bringing a new look to the understanding of films that reconstitute other epochs, thus broadening the classification created by Betton (1987). For this article, three films of the musical genre were analyzed, considering a line of research on the influence exerted by the cinema in the construction of tendencies of the young culture wherethe music constitutes a central vector. The films analyzed are: Amor, Sublime Amor (1961), The Saturday Night Fever (1977) and Hair (1978), classified in the categories of period reconstruction, contemporary costumes and free interpretation of the time, allowing a more objective identification of ties between the socioeconomic reality of each era and the cinema, interfering in the constitution of habits and customs of a social group.
Downloads
References
BATTISTI, Francisleth Pereira. Moda e figurino: unilateralidade. Publicação 1º Encontro Paranaense de Moda, Design e Negócios: Maringá, PR, 2009.
BETTON, Gerard. A Estética do Cinema. São Paulo: Martins Fontes, 1987.
DE LA HAYE, Amy. Fashion Sourcebook: A Visual Reference To Twentieth Century Fashion. Macdonald & Co Ltda, London, 1988.
CABRAL, Alexandra; FIGUEIREDO, Carlos Manuel. O Figurino na Construção das Personagens e do Drama da Ficção Cinematográfica. CIAUD - Centro de Investigação em Arquitectura, Urbanismo e Design - Faculdade de Arquitectura da Universidade Técnica de Lisboa, 8º SOPCOM Comunicação Global, Cultura e Tecnologia, 2016.
CARPINTEIRA, Yolanda Maria Garcia. A Intervenção do Designer de Produção na Peça Cinematográfica. Dissertação para obtenção do grau de mestre em design de comunicação. Faculdade de Arquitetura, Universidade Técnica de Lisboa, 2011.
COSTA, Francisco Araújo da. O figurino como elemento essencial da narrativa. Sessões do Imaginário. Porto Alegre, nº 8, ago, FAMECOS/PUCRS, 2002.
FERRO, Marc. Cinema e História. Rio de Janeiro: Paz e Terra, 1992
KORNIS, Mônica Almeida. História e Cinema: um debate metodológico. Estudos Históricos, Rio de Janeiro, vol. 5, n. 10, 1992
LIPOVETSKY, Gilles; SERROY, Jean. A Estetização do Mundo, Viver na Era do Capitalismo Artista. Companhia das Letras, São Paulo, SP, 2015.
SOUZA, Christine Veras. O Show Deve Continuar: O gênero musical no cinema. Dissertação de mestrado, Escola de Belas Artes, UFMG, BH, 2005.
SOUZA, Amanda; et al. A Retomada do Gênero Musical. São Carlos, SP, 2011.
Sites:
Adoro Cinema <http://www.adorocinema.com/filmes/filme-980/fotos/detalhe/?cmediafile=18886613>. Acessado em 20/06/2017
IMDB <http://www.imdb.com/title/tt0079261/mediaviewer/rm3728246016>. Acessado em 20/06/2017
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 maria paula guimaraes, Rita Aparecida da Conceição Ribeiro
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
When submitting an article for publication in ModaPalavra e-periodico, the author (s) agree (s) with the following terms:
- Authors maintain the copyright in their manuscripts and grant the journal the right of first publication, with work simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International, which allows sharing the work with the acknowledgment of authorship and the initial publication in the journal without payment ;
- Authors may use the same results in other publications after the first publication, provided that they indicate ModaPalavra e-journal as the original publication medium;
- Authors are authorized to take additional contracts, separately, only after the original publication in ModaPalavra e-journal, provided they indicate ModaPalavra e-journal as the original publication medium;
- Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page), only after the editorial process and the first publication, provided they indicate ModaPalavra e-journal as the original publication medium;
- To indicate ModaPalavra e-journal as the original publication medium, authors should use the following text template: "This article was originally published by ModaPalavra e-periodical, under a CC BY NC license, in its volume [insert volume] number [insert number] in the year of [insert year], and can be accessed at: http://www.revistas.udesc.br/index.php/modapalavra/ ";
- The opinions expressed in the articles are the author’s sole responsibility, not necessarily reflecting the journal’s opinion. The publication of any material that is owned and held in copyright by a third party, including – but not limited to - articles, photos or drawings was previously authorized by their representatives to be published in ModaPalavra e-journal.
