Vol. 2 No. 47 (2023): Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II

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Continuous flow

A mirror without reflection: The Purple Spot in Brazilian theater criticism

Clóvis Domingos Santos, Paulo Marcos Cardoso Maciel

1-26
- pdf (Português (Brasil))
- html (Português (Brasil))
Illustrative drama teaching: race, gender, sexuality and social class in textbooks

Tiago Cruvinel, Túlio Fernandes Silveira

1-29
- pdf (Português (Brasil))
- html (Português (Brasil))
An ethics of absence: a study on the poverty category in research on Brazilian Performing Arts

Gilberto Icle

1-22
- pdf (Português (Brasil))
- html (Português (Brasil))
Two doors to landscapes of the end of the world in the contemporary scene of Ceará

Ivanildo Silva Lima Filho, Francis Wilker de Carvalho

1-26
- pdf (Português (Brasil))
- html (Português (Brasil))
The look, listening and the act of writing as a methodological process of research in arts

Ivone Maria Xavier de Amorim, Bene Martins

1-19
- pdf (Português (Brasil))
- html (Português (Brasil))
Traditional Northeast Dances on the School Floor: reports of an experience

Alexsander Barbozza

1-26
- pdf (Português (Brasil))
- html (Português (Brasil))
What should we say? Recreating Brecht’s learning plays in She She Pop’s Oratorium

Artur Sartori Kon

1-25
- pdf (Português (Brasil))
- html (Português (Brasil))
The creation of bodies in experience in the autofictional performance Casa Vazia

Gabriel Morais

1-23
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- html (Português (Brasil))
Contemporary theater and voice: the context of vocal preparation in Samuel Beckett's short plays

Valéria Cristina Machado Rocha

1-18
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- html (Português (Brasil))

Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II

Presentation of the Thematic Dossier Clown Arts, Circus Arts, Circus-Theatre and Popular Comicity

Daniel Marques da Silva, Ana Achcar, André Carrico, Daniele Pimenta, Eliene Benício Amancio Costa, Ivanildo Piccoli, Mario Fernando Bolognesi, Marco Antonio Coelho Bortoleto

1-7
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- html (Português (Brasil))
The friendship as a way of resistance: reflections about Amista' (2021) circus play

Francisco Negri

1-18
- pdf (Español (España))
- html (Español (España))
Circus to the south: a journey along the processes of institutionalization of the circus facing the 21st century

Virginia Alonso

1-22
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- html (Español (España))
The child as a model in clown pedagogy: in Jacques Copeau, Jacques Lecoq and Philippe Gaulier

Rodrigo Cardoso Scalari

1-30
From the scene to the teaching: talking with the clowning trainers

Felipe Braccialli, Marco Antonio Coelho Bortoleto

1-26
- pdf (Português (Brasil))
- html (Português (Brasil))
Politics and poetics of contemporary circus in Sisma, Tra Tra and corpo-árvore

Maria Carolina Vasconcelos Oliveira

1-29
- pdf (Português (Brasil))
- html (Português (Brasil))
From the circus arena to the classrooms, memories and reflections on circus learning and its pedagogical reverberations

Cecilia Borges

1-21
- pdf (Português (Brasil))
- html (Português (Brasil))
Suddenly a clown: reflections about gestures in a personal experience in Bogotá

RAYLSON CONCEIÇÃO, Michelle Cabral

1-17
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- html (Português (Brasil))
Red nose experiences – health and the aging body

Gláucia Andreza Kronbauer, Cristina Andrade Filus, Caroline Muchoz Machado, Elizandra Garcia da Silva

1-28
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Cabaré das Divinas Tetas: intersections between clown, drag art and feminisms

Dagmar Teixeira Bedê, Raquel Castro de Souza

1-20
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- html (Português (Brasil))
Research and learning processes in street clown working

Rafael Santos de Barros, Eduardo Tessari Coutinho

1-19
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- html (Português (Brasil))

Reports

Project Geringonça and its things: intermedialities in circus dramaturgy

Julia Henning

1-25
- pdf (Português (Brasil))
- html (Português (Brasil))
Masks on Palhaçaria de Terreiro and Corpo-Mandinga: a report about decolonizing creative processes of clowning

Antonia Vilarinho Cardoso

1-17
- pdf (Português (Brasil))
- html (Português (Brasil))

Ensaio Fotografico de Espetáculos

Clown Curalina (Drica Santos)

Corpo Editorial

1-17
- pdf (Português (Brasil))
- html (Português (Brasil))

Office hour

Editorial staff

Editorial

Editorial

Continuous flow

A mirror without reflection: The Purple Spot in Brazilian theater criticism

Illustrative drama teaching: race, gender, sexuality and social class in textbooks

An ethics of absence: a study on the poverty category in research on Brazilian Performing Arts

Two doors to landscapes of the end of the world in the contemporary scene of Ceará

The look, listening and the act of writing as a methodological process of research in arts

Traditional Northeast Dances on the School Floor: reports of an experience

What should we say? Recreating Brecht’s learning plays in She She Pop’s Oratorium

The creation of bodies in experience in the autofictional performance Casa Vazia

Contemporary theater and voice: the context of vocal preparation in Samuel Beckett's short plays

Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II

Presentation of the Thematic Dossier Clown Arts, Circus Arts, Circus-Theatre and Popular Comicity

The friendship as a way of resistance: reflections about Amista' (2021) circus play

Circus to the south: a journey along the processes of institutionalization of the circus facing the 21st century

The child as a model in clown pedagogy: in Jacques Copeau, Jacques Lecoq and Philippe Gaulier

From the scene to the teaching: talking with the clowning trainers

Politics and poetics of contemporary circus in Sisma, Tra Tra and corpo-árvore

From the circus arena to the classrooms, memories and reflections on circus learning and its pedagogical reverberations

Suddenly a clown: reflections about gestures in a personal experience in Bogotá

Red nose experiences – health and the aging body

Cabaré das Divinas Tetas: intersections between clown, drag art and feminisms

Research and learning processes in street clown working

Reports

Project Geringonça and its things: intermedialities in circus dramaturgy

Masks on Palhaçaria de Terreiro and Corpo-Mandinga: a report about decolonizing creative processes of clowning

Ensaio Fotografico de Espetáculos

Clown Curalina (Drica Santos)

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