The construction of identity through the fashion portfolio: an international experience of field research

uma experiência de investigação de campo em âmbito internacional

Auteurs

  • Paolo Franzo Università Iuav di Venezia

DOI :

https://doi.org/10.5965/25944630512021076

Mots-clés :

fashion portfolio, identity, workshop

Résumé

The paper presents the results of a field research carried out in three international fashion schools - Polytechnic University of Milan (Italy), Iuav University of Venice (Italy) and Escola d’Art i Superior de Disseny of Alcoi (Spain) - to investigate the fashion portfolio as a tool to build the identity of its author. In the fashion system, the portfolio is an essential tool, required at every application, presented at every interview, and it is often the only element available to the evaluators for selection among different subjects. However, the theoretical reflection developed in academic research around the portfolio is still very limited and this contribution aims to fill at least part of the gap. A workshop has been designed and carried out, which the paper describes and analyses in its different phases, with the aim of simulating a part of the process of portfolio realisation and carrying out an exploratory investigation, documenting the students' considerations, their perception of this tool, the problems encountered, the methods of realisation, the influence of the context and the relationship with the author's identity.

Téléchargements

Les données relatives au téléchargement ne sont pas encore disponibles.

Références

ATKINSON, Mark. How to Create your Final Collection: A Fashion Student’s Handbook. London: Laurence King Publishing, 2012.

ATKINSON, Paul, COFFEY, Amanda, DELAMONT, Sara, LOFLAND, John, LOFLAND, Lyn (ed.). Handbook of Ethnography. Thousand Oaks: Sage, 2001.

BAUMAN, Zygmunt. Identity. Conversation with Benedetto Vecchi. Cambridge: Polity, 2004.

BILL, Amanda. “Blood, Sweat and Shears”: Happiness, Creativity, and Fashion Education. Fashion Theory, v. 16, n. 1, p. 49-66, 2012.

CASSIDY, Tracy. The Mood Board Process Modeled and Understood as a Qualitative Design Research Tool. Fashion Practice, v. 3, n. 2, p. 225-251, 2015.

CIRESI BARRETT, Joanne. Designing Your Fashion Portfolio: From Concept To Presentation. New York-London: Fairchild, 2012.

DANIELSON, Charlotte, ABRUTYN, Leslye. An Introduction to Using Portfolios in the Classroom. Alexandria (VA): ASCD, 1997.

DELAMONT, Sara. Fieldwork in Educational Settings. London-New York: Routledge, 2002.

DIEFFENBACHER, Fiona. Fashion Thinking: Creative Approaches to the Design Process. London: AVA, 2013.

FAERM, Steven. Design Your Fashion Portfolio: Everything You Need to Develop a Great Line and Portfolio. London: A & C Black, 2012.

FRANZO, Paolo. Fashion portfolio come strumento di costruzione dell’identità: un approccio metodologico. In: RICCINI Raimonda (ed.). FRID 2017. Milan: Mimesis, 2018. p. 209-216.

FRANZO, Paolo. Fashion portfolio: un social network per la ricerca, il progetto, lo storytelling. AND Rivista di architetture, città e architetti, n. 35, p. 73-76, 2019.

GRANATA, Francesca. Fashion Studies In-between: A Methodological Case Study and an Inquiry into the State of Fashion Studies. Fashion Theory, v. 16, n. 1, p. 67-82, 2012.

HOPKINS, John. Fashion Design: The Complete Guide. Lausanne: AVA, 2012.

JENSS, Heike (ed.). Fashion Studies: Research Methods, Sites and Practices. London-New York: Bloomsbury, 2016.

KIPER, Anna. Fashion Portfolio: Design and Presentation. London: B. T. Batsford. 2014.

LUPANO, Mario, VACCARI, Alessandra (ed.). Insegnare il design della moda. Ariccia: Aracne, 2014.

MICHELSON, Elena, MANDEL, Alan. Portfolio Development and the Assessment of Prior Learning: Perspectives, Models and Practices. New York: Sterling, 2004.

PAULSON, F. Leon, PAULSON, Pearl R., MEYER, Carol A. What Makes a Portfolio a Portfolio?. Educational Leadership, v. 48. n. 5, p. 60-63, 1991.

PLOWMAN, Tim. Ethnography and Critical Design Practice. In: LAUREL, Brenda (ed.). Design Research: Methods and Perspectives. Cambridge-London: The MIT press, 2003. p. 30-38.

PORTER, Carol, CLELAND, Janell. The Portfolio as a Learning Strategy. Portsmouth: Heinemann, 1994.

ROSSI, Pier Giuseppe, GIANNANDREA, Lorella, MAGNOLER, Patrizia. Portfolio e riflessione. Education Sciences & Society, v. 2, n. 2, p. 192-195, 2011.

SCHÖN, Donald A. The Reflective Practitioner. How Professionals Think in Action. New York: Basic Books, 1983.

TAIN, Linda. Portfolio Presentation for Fashion Designers. New York: Fairchild, 2010.

Publiée

2021-02-01

Comment citer

FRANZO, Paolo. The construction of identity through the fashion portfolio: an international experience of field research: uma experiência de investigação de campo em âmbito internacional. Revista de Ensino em Artes, Moda e Design, Florianópolis, v. 5, n. 1, p. 76–96, 2021. DOI: 10.5965/25944630512021076. Disponível em: https://www.periodicos.udesc.br/index.php/ensinarmode/article/view/18867. Acesso em: 18 mai. 2024.