The American scene of Mary Overlie and the origin of the Six Viewpoints

Authors

DOI:

https://doi.org/10.5965/1414573103422021e0108

Keywords:

Six Viewpoints, Mary Overlie, Grand Union, Mabou Mines

Abstract

To a greater or lesser degree, improvisation is an inherent element of the performing arts. However, the concepts that guide the construction of improvisation utterances reflect the values ​​and concepts of their time. Six Viewpoints, an improvisation system articulated by Mary Overlie, was made public in 1978 and since then it has been consolidated and today participates in the formation of many artists in Brazil. Its origin, however, is not dissociated from its historical activities. In this biographical article, a connection between practice and public theory was sought, drawing some traces of the trajectory of the artist Mary Overlie from her childhood in Montana to 1980 in New York.

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Author Biography

Miriam Rinaldi

Doutorado em Artes pela Escola de Comunicações e Artes da Universidade de São Paulo (ECA/USP). Mestrado pela mesma universidade. Graduada em Educação Artística com Habilitação em Teatro pelo Instituto de Artes da Universidade Estadual Paulista (UNESP). Formada pela Escola de Arte Dramática (EAD/USP).

References

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Published

2021-12-13

How to Cite

RINALDI, Miriam. The American scene of Mary Overlie and the origin of the Six Viewpoints. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 3, n. 42, p. 1–31, 2021. DOI: 10.5965/1414573103422021e0108. Disponível em: https://www.periodicos.udesc.br/index.php/urdimento/article/view/21009. Acesso em: 15 may. 2024.