Criticism, healing and curatorship

Authors

DOI:

https://doi.org/10.5965/1414573101402021e0401

Keywords:

Healing processes, Curatorship, Art criticism, Anti-colonialities

Abstract

In this conversation, held within the framework of the Journey of the Brazilian Association of Art Critics (ABCA) of 2020, in partnership with the Federal University of Southern Bahia, the performer and psychologist Castiel Vitorino Brasileiro and professor and researcher Dodi Leal reflect on the interfaces of criticism, healing and curatorship. How to perform the invisible? This conversation is about deep images, existential modes and bodily injuries of the earth and how our rituals, enchanted wisdoms, witchcraft and black, indigenous and trans macumbarias are dangers to the white and cisgender coloniality of art. What are the characteristics of art criticism from the Bantu cure? What are the ties of art curatorship that come undone from the transvestite anti-colonial cure? The ‘curanderia’ is the exercise of clinical redirection (surgical criticism of art) of some institutional artistic practices that need to be abandoned, also realizing those that must be reformulated.

Downloads

Download data is not yet available.

Author Biographies

Castiel Vitorino Brasileiro, Pontificia Universidade Católica de São Paulo (PUC)

Artista visual, macumbeira e psicóloga mestranda no programa de Psicologia Clínica da PUC-SP. Pesquisa e inventa relações em que corpos não-humanos se desprendem das amarras da colonialidade. Desenvolve estéticas macumbeiras de sua Espiritualidade e Ancestralidade Travesti. Idealizadora do projeto de imersão em processos criativos decoloniais Devorações. https://castielvitorinobrasileiro.com

Dodi Tavares Borges Leal, Universidade Federal do Sul da Bahia (UFSB)

Professora Adjunta do Centro de Formação em Artes e do Instituto de Humanidades, Artes e Ciências da Universidade Federal do Sul da Bahia. Doutora em Psicologia Social pelo Instituto de Psicologia da Universidade de São Paulo e Licenciada em Artes Cênicas pela Escola de Comunicações e Artes da Universidade de São Paulo.

Downloads

Published

2021-04-28

How to Cite

BRASILEIRO, Castiel Vitorino; LEAL, Dodi Tavares Borges. Criticism, healing and curatorship. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 1, n. 40, p. 1–33, 2021. DOI: 10.5965/1414573101402021e0401. Disponível em: https://www.periodicos.udesc.br/index.php/urdimento/article/view/19363. Acesso em: 16 may. 2024.

Issue

Vol. 1 No. 40 (2021): Curadoria da Performance e Processos de Cura em Artes Cênicas

Section

Debates

License

Copyright (c) 2021 Urdimento - Revista de Estudos em Artes Cênicas

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright Statement

The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
 http://www.revistas.udesc.br/index.php/urdimento

This work is licensed under a Creative Commons Attribution 4.0 International License.