From Music Drama to Immersion: Notes on contemporary and Latin American “total art”

Authors

DOI:

https://doi.org/10.5965/14145731023820200012

Keywords:

Contemporary art, Space, Spectator

Abstract

 The article focuses on the Wagner´s concept of Gesamtkunstwerk applied to Contemporary Art. Therefore, it deals with the interweaving of performative and visual languages and the dissolution of boundaries between stage and audience through the integration of space, in order to foster the viewer's immersion. In this way, different from the actor-spectator relationship, the theatre play is guided by the dynamics space-spectator. Finally, it analyzes works by Latin American artists, including Diego Bianchi, Marta Minujín and Tania Bruguera.

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Author Biography

Patricia Teles Sobreira de Souza, Universidade de Brasília (UnB)

Doutoranda em Artes (UnB); Mestrado na Universidad Nacional de las Artes (Buenos Aires, 2016. Em 2019 foi selecionada para participar do SACO 8 (Festival de Arte Contemporáneo en Chile) e do II Prêmio Vera Brant (Brasília, DF).  

References

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Published

2020-09-24

How to Cite

SOUZA, Patricia Teles Sobreira de. From Music Drama to Immersion: Notes on contemporary and Latin American “total art”. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 2, n. 38, p. 1–24, 2020. DOI: 10.5965/14145731023820200012. Disponível em: https://www.periodicos.udesc.br/index.php/urdimento/article/view/18060. Acesso em: 18 may. 2024.

Issue

Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana

Section

Dossiê Temático - Espaços: configurações na cena brasileira e latino-americana

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