GIUSEPPE PENONE: Por Uma Ontologia da Pele

Authors

  • Marina Andrade Câmara Dayrell Federal University of Minas Gerais image/svg+xml

DOI:

https://doi.org/10.5965/2175234605092013124

Keywords:

Giuseppe Penone, sensuous , skin

Abstract

The artist Giuseppe Penone follows the traces left in the substances where he sculpts to reveal, in the sculpture, life forms that inhabit those materials. As formulated by Georges Didi-Huberman, making sculpture is to Penone, making a excavation. His work could be thought as a kind of archeology, in which, proceeding by the materical excavation he reveals overlooked worlds. The exercise that we propose here is to critically unfold the issues brought up by his archaeological work in order to proceed in a similar manner: follow the marks left in the material in which he sculpts - or excaves - to inquire, then, what is the nature of those worlds revealed by his excavations-sculpture.

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References

COCCIA, Emanuele (2010), A vida sensível, Desterro Florianópolis, Cultura e Barbárie.

PENONE, Giuseppe. Convesazione con Giuseppe Penone; SEMIN, Didier. Elogio delle domande semplici. In: GIANELLI, Ida (Org.),Giuseppe Penone. Sculture di linfa. Milano, Electa Mondadori S.p.A., 2007.

DIDI-HUBERMAN, Georges (2009), Ser crânio: lugar, contato, pensamento, escultura, Belo Horizonte: C/ Arte.

HUCHET, Stéphane (2012), Fragmentos de uma teoria da arte, São Paulo, EDUSP.

PRÉVOST, Jean-Marc (1989), “Giuseppe Penone: l’œuvre entre causalité et hasard”, In: HINDRY, Ann. Regards sur l’Art Povera, Paris, Artstudio, p.120-135.

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Published

2013-10-08

How to Cite

DAYRELL, Marina Andrade Câmara. GIUSEPPE PENONE: Por Uma Ontologia da Pele. Palíndromo, Florianópolis, v. 5, n. 9, 2013. DOI: 10.5965/2175234605092013124. Disponível em: https://www.periodicos.udesc.br/index.php/palindromo/article/view/3996. Acesso em: 18 may. 2024.

Issue

Vol. 5 No. 9 (2013): Palíndromo n° 9

Section

Artigos Seção temática

License

Copyright (c) 2013 Marina Andrade Câmara Dayrell

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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