Textile art and gender: a mapping of global textile productions in the book Unraveling Women’s Art

Authors

DOI:

https://doi.org/10.5965/2175234615362023e0013

Keywords:

textile art, women artists, art history

Abstract

How to sew the history of textile arts with gender issues? In the book Unravelling Women's Art: Creators, Rebels & Innovators in Textile Arts, by British art historian PL Henderson, global textile productions are explored within a gender perspective, in a mapping of productions, movements, initiatives and artists. From a curatorial involvement in a project to map artists on social media, the author built the publication from a compilation perspective, dividing the chapters by relevant topics within historical and contemporary textile productions. Distancing itself from a universal approach, neither exclusivist nor segregationist, the relationship between textiles and gender was established based on a historical analysis of the practice, often culturally associated with women in different global contexts. Despite the focus on hegemonic nations, there is an apparent desire to explore these productions in different sociocultural contexts, such as indigenous peoples and countries in the global south, for instance. In this way, the book explores productions, perspectives and possibilities in the textile arts produced by women, both in the field of visual arts and, at times, outside of it.

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Author Biographies

Júlia Mazzoni Armando Sant’Anna, University of Brasília

Master's student in Visual Arts at the University of Brasília, Bachelor of Visual Arts (2017) at the same institution, and artist. Júlia Mazzoni investigates the possibilities of drawing expansion from embroidery, creating a dialogue between the two through the element of line. She explores the body and its sensitive possibilities, permeating themes such as time, memory, identity, experience and creation processes.

Nivalda Assunção de Araujo, University of Brasília

Professora Associadada da Universidade de Brasília. Lattes: http://lattes.cnpq.br/1324439742747081. Orcid: https://orcid.org/0000-0003-2510-0617. E-mail: nivaldaassuncao@gmail.com

References

CÁURIO, Rita. Artêxtil no Brasil: Viagem pelo Mundo da Tapeçaria. Rio de Janeiro: Primor, 1985.

HENDERSON, PL. Unravelling Women‘s Art: Creators, Rebels & Innovators in Textile Arts. 1. ed. Reino Unido: Aurora Metro & Supernova Books, 2022.

SANT‘ANNA, Júlia Mazzoni Armando. Entre tramas: vivências através do bordado. Orientador: Prof. Dr. Vicente Martinez Barrios. 2022. 44 p. Trabalho de conclusão de curso (Bacharelado em Artes Visuais) - Departamento de Artes Visuais, Instituto de Artes, Universidade de Brasília, Brasília, 2022.

SIMIONI, Ana Paula Cavalcanti. Bordado e transgressão: questões de gênero na arte de Rosana Paulino e Rosana Palazyan. Revista Proa, Campinas, v. 2, p. 1-19, 2010. Disponível em: https://repositorio.usp.br/item/002184146. Acesso em: 24 abr. 2023.

Published

2023-07-13

How to Cite

SANT’ANNA, Júlia Mazzoni Armando; ARAUJO, Nivalda Assunção de. Textile art and gender: a mapping of global textile productions in the book Unraveling Women’s Art. Palíndromo, Florianópolis, v. 15, n. 36, p. 1–16, 2023. DOI: 10.5965/2175234615362023e0013. Disponível em: https://www.periodicos.udesc.br/index.php/palindromo/article/view/23175. Acesso em: 14 may. 2024.