Reverberation, disembodied gesture, performance: The performative dimension of the word in public art

Authors

  • Rodrigo Maceira PGEHA - USP

DOI:

https://doi.org/10.5965/2175234613302021291

Keywords:

Word in performance, Performance, Performative act, Liminoid, Performance space

Abstract

This paper proposes a theoretical approach of the performative dimension of the word in public art, articulating analytical frameworks around performance borrowed from the works of Turner, Féral and Zumthor. By bringing into perspective approaches from different fields of the humanities, namely anthropology, the performing arts and literature, the text seeks to make possible the description of its object of interest - words operated by artists in public spaces - as one of the expressions of performance in contemporary art. To do so, it presents and relates the notions of liminoid/protostructure (TURNER, 1982, 2013), theatricality and performative act (FÉRAL, 2015), and performancial situation (ZUMTHOR, 2014).

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Author Biography

Rodrigo Maceira, PGEHA - USP

Doutor em Artes pelo PGEHA - USP, tem pesquisa em estética das mídias e performance. Publicou as
coletâneas de contos Até de repente e Um céu diferente daquele de lá. É membro do Colabor, grupo de pesquisa coordenado por Artur Matuck (ECA-USP), na linha Processos Criativos em Artemídia, e professor na ESPM, em São Paulo. rodrigo.maceira@usp.br | www.rodrigomaceira.com.

References

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GENNEP, Arnold van. Os ritos de passagem. Petrópolis: Vozes, 2013.

MELIM, Regina. Performance nas artes visuais. Rio de Janeiro: Jorge Zahar Ed., 2008.

PARRA, Regina. Entrevista VI. [Entrevista concedida a] Rodrigo Maceira. São

Paulo, jul. 2020.

SCHECHNER, R. Between theater and anthropology. Philadelphia: University of Philadelphia

Press, 1985.

SCHECHNER, R. “O que é performance?” In: O percevejo, ano 11, 2003, n. 12, p. 25

a 50.

SCHECHNER, R.; LIGIERO, Zeca (Org.). Performance e antropologia de Richard

Schechner. Rio de Janeiro: Mauad X, 2012.

TURNER, Victor. From ritual to theatre. The human seriousness of play. New York:

PAJ Publications, 1982.

TURNER, Victor. “The Anthropology of Performance”. In: The Anthropology of performance.

PAJ Publication: Nova York, 1987.

TURNER, Victor. O processo ritual: estrutura e antiestrutura. Rio de Janeira: Vozes,

ZUMTHOR, Paul. A letra e a voz: a literatura medieval. SP: Companhia das Letras, 1993.

ZUMTHOR, Paul. La poesía y la voz en la civilización medieval. Madrid: Abad Editores,

ZUMTHOR, Paul. Performance, recepção, leitura. São Paulo: Cosac Naify, 2014..

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Published

2021-05-01

How to Cite

MACEIRA, Rodrigo. Reverberation, disembodied gesture, performance: The performative dimension of the word in public art. Palíndromo, Florianópolis, v. 13, n. 30, p. 291–303, 2021. DOI: 10.5965/2175234613302021291. Disponível em: https://www.periodicos.udesc.br/index.php/palindromo/article/view/19469. Acesso em: 20 may. 2024.

Issue

Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva?

Section

Artigos Seção aberta

License

Copyright (c) 2021 Rodrigo Maceira

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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