Anthropophagic dilation

Authors

DOI:

https://doi.org/10.5965/2175234613312021285

Keywords:

Visual arts. , Anthropophagic dilation, Aesthetic Teacher Education, Performance art

Abstract

This visual essay presents the arrangement of eight radiographies digitally edited by the visual artist,
performer, art teacher Pedro Gottardi, linked to the Master’s in Education at the Regional University
of Blumenau (FURB). Anthropophagic dilatation is part of his studies, whose origin came from an
accident during the execution of the performance art “Celebration of Our Flesh”, in 2018 - an initiative of the artist and Master’s student, at the Research Group Art and Aesthetics in Education (Grupo
de Pesquisa Arte e Estética na Educação - GPAEE). Performance art was idealized in the curricular
component History of Art V, during the final phase of his teaching degree in the Visual Arts Course at
FURB. The text is written in a biographical form, bringing to light his account of what he experienced.
It constitutes a poetic hybridism that articulates the aesthesias experienced in the aesthetic education
of teachers in Visual Arts

Downloads

Download data is not yet available.

Author Biographies

Pedro Gottardi, Universidade Regional de Blumenau - FURB

Mestrando em Educação pela Universidade Regional de Blumenau - FURB. Bolsista Capes (2019-21). Graduado em Licenciatura em Artes Visuais pela FURB (2018). Artista Plástico. Performer. Professor de Arte. Integrante do Grupo de Pesquisa em Artes e Estética na Educação. Conselheiro de Cultura em Blumenau, gestão (2019-21).

Carla Carvalho, Universidade Regional de Blumenau - FURB

Doutora em Educação pela Universidade Federal do Paraná – UFPR (2008). Líder do Grupo de Pesquisa Arte e Estética na Educação no Programa de Pós-Graduação em Educação (PPGE) na FURB e Professora no PPGE e na Graduação em Cursos de Formação de Professores e Design dessa Universidade. Lattes: http://lattes.cnpq.br/3577819679344029

References

BARBA, E. A canoa de papel: tratado de antropologia teatral. São Paulo: Hucitec, 1994.

BARTHES, R. A câmara clara: nota sobre a fotografia. 7. ed. Rio de Janeiro: Nova Fronteira, 2018.

COHEN, R. Performance como linguagem: criação de um tempo-espaço de experimentação. 2. ed. São Paulo: Perspectiva, 2007.

DUFRENNE, M. O Poético. Porto Alegre: Editora Globo, 1969.

DUNN, C. Brutalidade jardim: a Tropicália e o surgimento da contracultura brasileira. São Paulo: Editora UNESP, 2009.

LARROSA, J. Tremores: escritos sobre experiência. Belo Horizonte: Autêntica, 2016.

LE BRETON, D. A sociologia do corpo. 6. ed. Petrópolis: Vozes, 2012.

OSTROWER, F. Criatividade e processos de criação. 6. ed. Petrópolis: Vozes, 2007.

Downloads

Published

2021-09-01

How to Cite

GOTTARDI, Pedro; CARVALHO, Carla. Anthropophagic dilation. Palíndromo, Florianópolis, v. 13, n. 31, p. 285–299, 2021. DOI: 10.5965/2175234613312021285. Disponível em: https://www.periodicos.udesc.br/index.php/palindromo/article/view/16530. Acesso em: 20 may. 2024.

Issue

Vol. 13 No. 31 (2021): Escritas de artista e outras proposições

Section

Proposições, registros e relatos artísticos

License

Copyright (c) 2021 Pedro Gottardi, Carla Carvalho

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

COPYRIGHT STATEMENT

 

The articles published by the magazine are free to use, intended for academic and non-commercial applications. Copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of Palíndromo Magazine. The author (s) commits to whenever they publish material referring to the article published in Palíndromo mention this publication as follows:

 

This article was originally published by Palíndromo magazine in its volume (place the volume), number (place the number) in the year of (place the year) and can be accessed at: http://www.revistas.udesc.br/index.php/palindromo