Listening, construction, composition

Authors

  • Rogério Vasconcelos Barbosa UFMG - Escola de Música

DOI:

https://doi.org/10.5965/2525530405012020318

Keywords:

CAC, listening, musical material, model, Composition

Abstract

The paper discusses the composition process of four pieces by the author, using the notions of ‘musical material’ and ‘model’. A model would be a combination of formal features that are extracted from a musical material to project itself in another context. The models involve principles of organizations that apply to different aspects of the formal dimension of music. Several excerpts from the author’s pieces are analyzed based on the same notions. The use of computational modeling (CAC) in the composition process is also discussed.

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Author Biography

Rogério Vasconcelos Barbosa, UFMG - Escola de Música

Rogério Vasconcelos Barbosa é graduado em música e doutor em composição. É professor da Escola de Música da UFMG (Departamento de Teoria Geral da Música) onde leciona composição e análise musical. Em seu trabalho, ferramentas tecnológicas participam de modo íntimo da gênese e do desdobramento das ideias criativas. Sua produção inclui peças de câmara, orquestra e meios eletroacústicos.

References

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DUCHEZ, M. E. L’évolution scientifique de la notion de matériau musical. In: BARRIÈRE, J.-B. (ed.). Le timbre, métaphore pour la composition. Paris: Christian Bourgois, 1991. p. 47-81.

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LINK, J. F. Long-range polyrhythms in Elliott Carter’s recent music. Tese (Doutorado em Música) – City University of New York, New York, 1994.

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Published

2020-10-18

How to Cite

BARBOSA, Rogério Vasconcelos. Listening, construction, composition. Orfeu, Florianópolis, v. 5, n. 1, 2020. DOI: 10.5965/2525530405012020318. Disponível em: https://www.periodicos.udesc.br/index.php/orfeu/article/view/17316. Acesso em: 18 may. 2024.

Issue

Vol. 5 No. 1 (2020): Special Issue on Poetics of Contemporary Music

Section

Special Issue

License

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