[1]
Oliveira, E. de 2024. A falecida as she is: the obsessions and recurring images in the creative process of Nelson Rodrigues. Urdimento: Revista de Estudos em Artes Cênicas. 2, 51 (Jul. 2024), 1–25. DOI:https://doi.org/10.5965/1414573102512024e0203.