DALMOLIN ZORTÉA, Adriel. LE SUBLIME EST EN BAS: The marinas in the paintings of Lucas Arruda and immanence in the work of Georges Didi-Huberman. Palíndromo, Florianópolis, v. 18, n. 44, p. 1–42, 2026. DOI: 10.5965/2175234618442026e0010. Disponível em: https://www.periodicos.udesc.br/index.php/palindromo/article/view/28263. Acesso em: 21 maio. 2026.