Vol. 10 No. 2 (2025): Special Issue: Border Musics

Credits

Expediente v.10 n.2
- pdf (Portuguese (Brazil))

Presentation

Apresentação
- pdf (Portuguese (Brazil))

Special Issue

Of feathers and tapes: corporeality and experimentation in hybrid environments

Thayná Aline Bonacorsi Xavier, Rogério Costa

e0101
- pdf (Portuguese (Brazil))
Processos Composicionais e Sistemas Interativos na Música Experimental: Entrevista com Sergio Freire

Belquior Guerrero Santos Marques, Rodrigo Manoel Frade

e0102
- pdf (Portuguese (Brazil))
On Tremolo and Guitar Tremolo A Study of Two Original Works, Cinéticas de Io and Escritos no Pó

Felipe Mendes Vasconcelos

e0103
- pdf (Portuguese (Brazil))
From Clay to Scream:Ceramics, Algorithms, Makeshift Works and Collaborative Composition in “Hybris: Ocarinas do Mestre Nado”

Henrique Maia Lins Vaz, João Pedro Mendes de Oliveira

e0104
- pdf (Portuguese (Brazil))
Orquestra Errante, sixteen years of experimental practice in an academic environment interview with Rogério Costa

Lucca Perrone Totti, Rogério Luiz Moraes Costa

e0105
- pdf (Portuguese (Brazil))
Metamórficas Processos de Comprovisação a Partir de Violões em Microtonalidade Smetakiana e de Indeterminações Eletroacústicas em Partituras Gráficas

George Cristian Vilela Pereira

e0106
- pdf (Portuguese (Brazil))
Mini-Suite of University Survival Creating and Reflecting on Border Music through the 8-String Classical Guitar, Viola Caipira, Violin, and Transverse Flute

Angel Akio Tateishi, Matheus Cantu, Douglas Felipe Gerhardt

e0107
- pdf (Portuguese (Brazil))
Music As Cinema, Cinema As Music A study from the process of creating “O Homem Subterrâneo”

Arthur Zucchi Boscato, Guilherme Sauerbronn de Barros

e0108
- pdf (Portuguese (Brazil))
Naná Vasconcelos' Black Creative Praxis

Rômulo Alex Inácio

e0109
- pdf (Portuguese (Brazil))

Articles

Three dimensions of musical-biographization: exploring automedial musical practices through reported experiences

Delmary Vasconcelos de Abreu, Hugo Leonardo Guimarães Souza, Gustavo Aguiar Malafaia de Araujo

e0201
- pdf (Portuguese (Brazil))
Orchestral musicians and the art of relationships

Mariana Bergsten Mendes Felix, Tania Casado, Fábio Cury

e0202
- pdf (Portuguese (Brazil))
The itinerary of opera companies performing in the cities of Desterro (SC) and Rio Grande (RS) between 1850 and 1880

Marcele Pedrotti Dutra Meneses

e0203
- pdf (Portuguese (Brazil))
Music teachers in (self)formation movements: thinking about formation “among us”

Jade da Rosa Schneider, Cláudia Ribeiro Bellochio

e0204
- pdf (Portuguese (Brazil))
Vinholes and Cage: theories, indeterminacy and silence

Valério Fiel da Costa

e0205
- pdf
“It was the first time Pablo sang in a choir…” Reflections on Good Diction as the Imposition of a Eurocentric Aesthetic Canon

Mariano Nicolás Guzmán, Favio Shifres

e0206
- pdf (Spanish)
The ecstatic musical time of Olivier Messiaen's Et exspecto resurrectionem mortuorum

Luigi Antonio Irlandini

e0207
- pdf (Portuguese (Brazil))
The TARGET model and possibilities of its transposition to music education

Aline Farias, Caroline Caregnato

e0208
- pdf (Portuguese (Brazil))
The Bachelor’s Degree in Piano at FAMES and Its Relationship with the Labor Market in Espírito Santo Challenges and Perspectives

Paula Bianchi; Fernando de Oliveira Magre

e0209
- pdf (Portuguese (Brazil))
Sound Pathways sharing musical learning throughout life

Maura Lucia Fernandes Penna, Rodrigo Lisboa da Silva, Rayssa Claudino de Melo, Ana Rosa Fernandes Cabral, Ingrid Tuany Simplício Ferreira, João Tomaz da Costa Neto, Gabriel José Bossolane Bortolani

e0210
- pdf (Portuguese (Brazil))

Vol. 10 No. 2 (2025): Special Issue: Border Musics

Credits

Expediente v.10 n.2

Presentation

Apresentação

Special Issue

Of feathers and tapes: corporeality and experimentation in hybrid environments

Processos Composicionais e Sistemas Interativos na Música Experimental: Entrevista com Sergio Freire

On Tremolo and Guitar Tremolo A Study of Two Original Works, Cinéticas de Io and Escritos no Pó

From Clay to Scream:Ceramics, Algorithms, Makeshift Works and Collaborative Composition in “Hybris: Ocarinas do Mestre Nado”

Orquestra Errante, sixteen years of experimental practice in an academic environment interview with Rogério Costa

Metamórficas Processos de Comprovisação a Partir de Violões em Microtonalidade Smetakiana e de Indeterminações Eletroacústicas em Partituras Gráficas

Mini-Suite of University Survival Creating and Reflecting on Border Music through the 8-String Classical Guitar, Viola Caipira, Violin, and Transverse Flute

Music As Cinema, Cinema As Music A study from the process of creating “O Homem Subterrâneo”

Naná Vasconcelos' Black Creative Praxis

Articles

Three dimensions of musical-biographization: exploring automedial musical practices through reported experiences

Orchestral musicians and the art of relationships

The itinerary of opera companies performing in the cities of Desterro (SC) and Rio Grande (RS) between 1850 and 1880

Music teachers in (self)formation movements: thinking about formation “among us”

Vinholes and Cage: theories, indeterminacy and silence

“It was the first time Pablo sang in a choir…” Reflections on Good Diction as the Imposition of a Eurocentric Aesthetic Canon

The ecstatic musical time of Olivier Messiaen's Et exspecto resurrectionem mortuorum

The TARGET model and possibilities of its transposition to music education

The Bachelor’s Degree in Piano at FAMES and Its Relationship with the Labor Market in Espírito Santo Challenges and Perspectives

Sound Pathways sharing musical learning throughout life

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